电影《七宗罪》观后感及疑点 求《七宗罪》1500字的电影观后感，从心理学角度

急求电影《七宗罪》英文观后感一篇~~~英文简单一些，本人英语水平不是很高谢谢!!~

Seven," a dark, grisly, horrifying and intelligent thriller, may be too disturbing for many people, I imagine, although if you can bear to watch, it you will see filmmaking of a high order. It tells the story of two detectives - one ready to retire, the other at the start of his career - and their attempts to capture a perverted serial killer who is using the Seven Deadly Sins as his scenario.

As the movie opens, we meet Somerset (Morgan Freeman), a meticulous veteran cop who lives a lonely bachelor's life in what looks like a furnished room. Then he meets Mills (Brad Pitt), an impulsive young cop who actually asked to be transferred into Somerset's district. The two men investigate a particularly gruesome murder, in which a fat man was tied hand and feet and forced to eat himself to death.

His crime was the crime of Gluttony. Soon Somerset and Mills are investigating equally inventive murders involving Greed, Sloth, Lust and the other deadly sins. In each case, the murder method is appropriate, and disgusting (one victim is forced to cut off a pound of his own flesh; another is tied to a bed for a year; a third, too proud of her beauty, is disfigured and then offered the choice of a call for help or sleeping pills). Somerset concludes that the killer, "John Doe," is using his crimes to preach a sermon.

The look of "Seven" is crucial to its effect. This is a very dark film, the gloom often penetrated only by the flashlights of the detectives. Even when all the lights are turned on in the apartments of the victims, they cast only wan, hopeless pools of light.

Although the time of the story is the present, the set design suggests the 1940s; Gary Wissner, the art director, goes for dark blacks and browns, deep shadows, lights of deep yellow, and a lot of dark wood furniture. It rains almost all the time.

In this jungle of gloom, Somerset and Mills tread with growing alarm. Somerset intuits that the killer is using books as the inspiration for his crimes, and studies Dante, Milton and Chaucer for hints. Mills settles for the Cliff Notes versions. A break in the case comes with Somerset's sudden hunch that the killer might have a library card. But the corpses pile up, in cold fleshy detail, as disturbingly graphic as I've seen in a commercial film. The only glimmers of life and hope come from Tracy (Gwyneth Paltrow), Mills' wife.

A movie like this is all style. The material by itself could have been handled in many ways, but the director, David Fincher ("Alien 3"), goes for evocative atmosphere, and the writer, Andrew Kevin Walker, writes dialogue that for Morgan Freeman, in particular, is wise, informed and poetic. ("Anyone who spends a significant amount of time with me," he says, "finds me disagreeable.") Eventually, it becomes clear that the killer's sermon is being preached directly to the two policemen, and that in order to understand it, they may have to risk their lives and souls.

"Seven" is unique in one detail of its construction; it brings the killer onscreen with half an hour to go, and gives him a speaking role. Instead of being simply the quarry in a chase, he is revealed as a twisted but articulate antagonist, who has devised a horrible plan for concluding his sermon. (The actor playing the killer is not identified by name in the ads or opening credits, and so I will leave his identity as another of his surprises.) "Seven" is well-made in its details, and uncompromising in the way it presents the disturbing details of the crimes. It is certainly not for the young or the sensitive. Good as it is, it misses greatness by not quite finding the right way to end. All of the pieces are in place, all of the characters are in position, and then - I think the way the story ends is too easy. Satisfying, perhaps. But not worthy of what has gone before.

七宗罪》观后感

暴食、贪婪、懒惰、淫欲、傲慢、嫉妒和暴怒——被天主教认为是遭永劫的七种大罪，在你的身上，有它们的影子吗？ 冬天的早晨，天阴沉沉的。

电影《七宗罪》在电脑屏幕上不断切换境头。人，也不由得惊悚起来。刚刚看这部电影，看前面部分老少警察搭档破案，觉得和一般的侦探电影并没有多大区别时，甚至有放弃的想法，直到后来才发现它的精彩。

这是部以破案为引子，带有浓厚宗教色彩的片子。故事的背景是肮脏的城市，动荡的居住环境，对情感难以把握的人心，似乎所有的都无以为靠。影片以黑色及灰色为主题背景，色彩不血腥却具有强烈的明暗差，时常出现的狭小黑暗的房间，手电筒强烈的光线不断出现在侦案现场。

老警察沙摩塞还有七天就可以退休，命案却一桩接一桩发生，当他将毫无关联的三桩命案联系起来，意识到将发生《圣经》里被天主教认为遭永劫的七种大罪时，本打算退出此案，后还是决定留下来与新警察米尔斯一起。案发现场没有任何指纹，直到发生五桩命案，警察却没能找到任何蛛丝马迹时，凶手约翰却来到警察大厅自首了，带着他的血淋淋的十指和平静的微笑。

这让所有人都费解，约翰主动被警察所困，那他将如何去实施他未完成的两桩命案呢？悬念顿生。影片中约翰的出镜不多，主要集中在后半部分，但却给我最深的印象。他带两个警察一起去郊外寻找最后两具尸体，坐在警车上隔着铁栏谈话的表情和语言，是全片的亮点。轻缓的语言讲述着他经手的五宗罪，眼神里荡漾着一种轻微的波浪，以至于你会觉得从他口中出来的残忍语言，都带着一丝优雅的色彩。你会相信，他所说的，都是有道理的。就是这样一个自信却邪恶的布道者，和米尔斯被激怒的粗暴神态形成强烈对比，你甚至会站在约翰的角度来说：“看吧，这就是浑身罪恶的人们！”

约翰因嫉妒米尔斯及其妻子翠茜的幸福，割下翠茜头颅让人送至案发现场，米尔斯暴怒之下击毙约翰，这种结局出人意料之外，却又似在情理中。此时，你似乎不得不佩服约翰的眼力，选中了米尔斯做为第七宗罪：“暴怒”的代替者是完全对的。而约翰自己，却是以那种邪恶自信的笑容坦然地面对被杀，因为他知道自己犯了“嫉妒”罪。约翰虽死，但他却是以一种胜利者的姿态死的，因为所有的都在他的掌控中，他完成了上帝交给他的任务。这个最引人眼球的结局发生在七天后的七点钟，那带着神秘色彩的“七”上。

约翰是个追求完美的人，只是这份完美过份极瑞，在剥夺了那些“罪恶者”生存权利的同时，也无法原谅自己的“罪恶”。他的笑，似一个诅咒，牵引着人们审视自身。

沙摩塞，这个办案慎密、行走孤独的老警察，对于社会上存在的丑陋早已司空见怪，他会告诉米尔斯遇到抢劫时不要叫救命而喊救火，他不要孩子，因为不想让孩子出生在这个肮脏的世界。他就这样不紧不慢地生活在这个肮脏的城市，冷眼旁观着一切。

米尔斯，脾气暴燥，却有着善良的心地，他似一个孩子般爱着家中的



宠物和妻子，却因这份对妻子的疼爱，在得知妻子被杀后无法抑制的悲痛终于爆发，以至于杀死了凶手。

执法者与上帝的传道者都有罪，活在这个世界上，谁能没罪呢？ 海明威曾说：“这个世界如此美好，值得人们为它奋斗” 。看完这部影片，这两句话我都不认同。

我一直以为好电影是要给人启发或者传达给人想法的！据说《七宗罪》是一部好电影才看的。看了之后呢？没觉得有什么启发，也没感受到导演要传达的东西！想想可能是自己笨吧！看影评！结果呢？影评全都是争论最后那个盒子里面装的是什么！他老婆打底死没死！我很疑惑！难道导演拍这个电影就是想传达那个女人到底死没死？我的愚见是管她死没死！这只是一部电影，不是历史事件何必那么较劲？这部电影到底传达了什么给我们？是提示人们大家都在犯着这七种罪孽吗？这大家一直都知道啊！那然后呢？警示人们不要犯吗？很明显不可能啊！那到底是干嘛？吓唬大家犯罪了会有人来惩戒你？我真的模糊了！他想说什么？什么是好的电影！可能我真的太笨！

我的理解就是：光头完成了他的所谓的“使命”
在我们看...一直到他自首的时候，光头分别杀了5人：暴食、贪婪、傲慢、傲慢、及色欲，这样我们会疑惑，还有：妒忌、暴怒呢？
这是光头的一个圈套，其实光头被年轻警察杀死是因为光头认为自己就是“妒忌”老警察看出了他的圈套，所以一直跟年轻的警察说：你杀了他，他就赢了！
当然“暴怒”就是年轻警察，他杀了光头，按法律，他也是犯死刑。
刚好七个...

那个光头犯人，在自首之前浑身是血，应该是去到了，警察的家里，先把他老婆杀害了，然后做成包裹，告诉那个送货的人，按地点时送到那个沙漠的指定

要联系神曲，讲述了罪孽，及上天的惩罚
疑点：到底男主角的老婆及家人死了没有